Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n\n\n\n
Gautham Vasudev Menon\u2019s latest has got love, action, mystery and tension. Yet, none of it captures our emotion or imagination, independently or as a whole. In the end, it\u2019s as tiresome as it\u2019s tired.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nReviews<\/a>, <\/span>The News Minute<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nOctober 19, 2023<\/time><\/div>\n\nLeo review: Vijay\u2019s emotionally weak action overload is held up by some crafty filmmaking<\/a><\/h4>\n\nVijay\u2019s performance in emotional scenes evokes no reactions even as Lokesh Kanagaraj provides ample electrifying action scenes.<\/p>Continue reading ><\/a><\/p><\/div>\n\nHindustan Times<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nMay 18, 2023<\/time><\/div>\n\nModern Love Chennai Review: Thiagarajan Kumararaja’s Anthology Wins on Several Counts<\/a><\/h4>\n\nModern Love Chennai raises the bar. It stays true to its writers’ and filmmakers’ imagination of Tamil cinema and serves films that are almost non-mainstream, yet perfectly palatable.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nApril 14, 2023<\/time><\/div>\n\nRudhran Movie Review: Bore, Gore and Imaginary CPR<\/a><\/h4>\n\nRaghava Lawrence gives the audience a headache with his Kanchana hangover.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 17, 2023<\/time><\/div>\n\nBakasuran Review: Mohan G Makes A Regressive Lecture Masquerading As A Bad Revenge Drama<\/a><\/h4>\n\nBakasuran is a message film, no doubt. The problem is that the message is victim-blaming, regressive and patriarchal.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 4, 2023<\/time><\/div>\n\nRun Baby Run Review: A Passable Thriller That Unravels Oddly<\/a><\/h4>\n\nWith none of the characters demanding any empathy from the audience, Run Baby Run’s only leverage is the whodunnit. That can only take the film so far.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJanuary 12, 2023<\/time><\/div>\n\nVarisu Review: A Templated Celebration Of The “Toxic” Family<\/a><\/h4>\n\nVamshi Paidipally makes a film that Vijay is perfect for \u2014 song, dance, fight and some snide antics. Sadly, that’s precisely what makes Varisu rather superficial and, therefore, ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 30, 2022<\/time><\/div>\n\nPonniyin Selvan: Part One movie review \u2014 Grand spectacle that’s more enchanting than engrossing<\/a><\/h4>\n\nPart One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Vijay\u2019s performance in emotional scenes evokes no reactions even as Lokesh Kanagaraj provides ample electrifying action scenes.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nHindustan Times<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nMay 18, 2023<\/time><\/div>\n\nModern Love Chennai Review: Thiagarajan Kumararaja’s Anthology Wins on Several Counts<\/a><\/h4>\n\nModern Love Chennai raises the bar. It stays true to its writers’ and filmmakers’ imagination of Tamil cinema and serves films that are almost non-mainstream, yet perfectly palatable.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nApril 14, 2023<\/time><\/div>\n\nRudhran Movie Review: Bore, Gore and Imaginary CPR<\/a><\/h4>\n\nRaghava Lawrence gives the audience a headache with his Kanchana hangover.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 17, 2023<\/time><\/div>\n\nBakasuran Review: Mohan G Makes A Regressive Lecture Masquerading As A Bad Revenge Drama<\/a><\/h4>\n\nBakasuran is a message film, no doubt. The problem is that the message is victim-blaming, regressive and patriarchal.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 4, 2023<\/time><\/div>\n\nRun Baby Run Review: A Passable Thriller That Unravels Oddly<\/a><\/h4>\n\nWith none of the characters demanding any empathy from the audience, Run Baby Run’s only leverage is the whodunnit. That can only take the film so far.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJanuary 12, 2023<\/time><\/div>\n\nVarisu Review: A Templated Celebration Of The “Toxic” Family<\/a><\/h4>\n\nVamshi Paidipally makes a film that Vijay is perfect for \u2014 song, dance, fight and some snide antics. Sadly, that’s precisely what makes Varisu rather superficial and, therefore, ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 30, 2022<\/time><\/div>\n\nPonniyin Selvan: Part One movie review \u2014 Grand spectacle that’s more enchanting than engrossing<\/a><\/h4>\n\nPart One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Modern Love Chennai raises the bar. It stays true to its writers’ and filmmakers’ imagination of Tamil cinema and serves films that are almost non-mainstream, yet perfectly palatable.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nApril 14, 2023<\/time><\/div>\n\nRudhran Movie Review: Bore, Gore and Imaginary CPR<\/a><\/h4>\n\nRaghava Lawrence gives the audience a headache with his Kanchana hangover.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 17, 2023<\/time><\/div>\n\nBakasuran Review: Mohan G Makes A Regressive Lecture Masquerading As A Bad Revenge Drama<\/a><\/h4>\n\nBakasuran is a message film, no doubt. The problem is that the message is victim-blaming, regressive and patriarchal.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 4, 2023<\/time><\/div>\n\nRun Baby Run Review: A Passable Thriller That Unravels Oddly<\/a><\/h4>\n\nWith none of the characters demanding any empathy from the audience, Run Baby Run’s only leverage is the whodunnit. That can only take the film so far.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJanuary 12, 2023<\/time><\/div>\n\nVarisu Review: A Templated Celebration Of The “Toxic” Family<\/a><\/h4>\n\nVamshi Paidipally makes a film that Vijay is perfect for \u2014 song, dance, fight and some snide antics. Sadly, that’s precisely what makes Varisu rather superficial and, therefore, ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 30, 2022<\/time><\/div>\n\nPonniyin Selvan: Part One movie review \u2014 Grand spectacle that’s more enchanting than engrossing<\/a><\/h4>\n\nPart One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Raghava Lawrence gives the audience a headache with his Kanchana hangover.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 17, 2023<\/time><\/div>\n\nBakasuran Review: Mohan G Makes A Regressive Lecture Masquerading As A Bad Revenge Drama<\/a><\/h4>\n\nBakasuran is a message film, no doubt. The problem is that the message is victim-blaming, regressive and patriarchal.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 4, 2023<\/time><\/div>\n\nRun Baby Run Review: A Passable Thriller That Unravels Oddly<\/a><\/h4>\n\nWith none of the characters demanding any empathy from the audience, Run Baby Run’s only leverage is the whodunnit. That can only take the film so far.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJanuary 12, 2023<\/time><\/div>\n\nVarisu Review: A Templated Celebration Of The “Toxic” Family<\/a><\/h4>\n\nVamshi Paidipally makes a film that Vijay is perfect for \u2014 song, dance, fight and some snide antics. Sadly, that’s precisely what makes Varisu rather superficial and, therefore, ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 30, 2022<\/time><\/div>\n\nPonniyin Selvan: Part One movie review \u2014 Grand spectacle that’s more enchanting than engrossing<\/a><\/h4>\n\nPart One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Bakasuran is a message film, no doubt. The problem is that the message is victim-blaming, regressive and patriarchal.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nFebruary 4, 2023<\/time><\/div>\n\nRun Baby Run Review: A Passable Thriller That Unravels Oddly<\/a><\/h4>\n\nWith none of the characters demanding any empathy from the audience, Run Baby Run’s only leverage is the whodunnit. That can only take the film so far.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJanuary 12, 2023<\/time><\/div>\n\nVarisu Review: A Templated Celebration Of The “Toxic” Family<\/a><\/h4>\n\nVamshi Paidipally makes a film that Vijay is perfect for \u2014 song, dance, fight and some snide antics. Sadly, that’s precisely what makes Varisu rather superficial and, therefore, ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 30, 2022<\/time><\/div>\n\nPonniyin Selvan: Part One movie review \u2014 Grand spectacle that’s more enchanting than engrossing<\/a><\/h4>\n\nPart One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
With none of the characters demanding any empathy from the audience, Run Baby Run’s only leverage is the whodunnit. That can only take the film so far.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJanuary 12, 2023<\/time><\/div>\n\nVarisu Review: A Templated Celebration Of The “Toxic” Family<\/a><\/h4>\n\nVamshi Paidipally makes a film that Vijay is perfect for \u2014 song, dance, fight and some snide antics. Sadly, that’s precisely what makes Varisu rather superficial and, therefore, ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 30, 2022<\/time><\/div>\n\nPonniyin Selvan: Part One movie review \u2014 Grand spectacle that’s more enchanting than engrossing<\/a><\/h4>\n\nPart One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Vamshi Paidipally makes a film that Vijay is perfect for \u2014 song, dance, fight and some snide antics. Sadly, that’s precisely what makes Varisu rather superficial and, therefore, ordinary.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nFilm Companion<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 30, 2022<\/time><\/div>\n\nPonniyin Selvan: Part One movie review \u2014 Grand spectacle that’s more enchanting than engrossing<\/a><\/h4>\n\nPart One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Part One is more of a great first-half than it is a wholesome film. And, of course, that\u2019s how it\u2019s meant to be.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nSeptember 29, 2022<\/time><\/div>\n\nNaane Varuvean movie review: Uncharacteristically straightforward Selvaraghavan film<\/a><\/h4>\n\nWithout the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Without the signature twistiness of Selvaraghavan\u2019s oeuvre or a powerful performance by Dhanush, Naane Varuvean is bland.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 31, 2022<\/time><\/div>\n\nNatchathiram Nagargiradhu movie review: Pa Ranjith’s uneven vignettes of politics of love<\/a><\/h4>\n\nPa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Pa Ranjith stages a meticulously detailed, diverse and sharp contemplation on the socio-politics of love. As a whole, the film doesn\u2019t quite add up.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 23, 2022<\/time><\/div>\n\nLike Thiruchitrambalam, Dhanush’s Velai Illa Pattadhaari shows family’s role in individual’s self-discovery<\/a><\/h4>\n\nThe ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
The ordinary, drama-free, supportive family is a rarity in Tamil cinema \u2014 one that Velai Illa Pattadhaari does remarkably well.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 19, 2022<\/time><\/div>\n\nTamilrockerz review: Story with potential beaten to death by clich\u00e9s<\/a><\/h4>\n\nIt gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
It gets the absurdity and testosterone-heaviness of the film industry right. But as an investigation into an international crime syndicate, it offers nothing.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Serial chiller<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 18, 2022<\/time><\/div>\n\nThiruchitrambalam movie review: Dhanush, Nithya Menen shoulder endearing story about love, loss, repentance, understanding<\/a><\/h4>\n\nFor a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
For a rom-com, Thiruchitrambalam has too much family in it, perhaps that\u2019s how we love in the Tamil nation. To the film\u2019s credit, it is handled exceptionally well.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 12, 2022<\/time><\/div>\n\nViruman movie review: Intolerable drag with no redemption<\/a><\/h4>\n\nTo compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
To compensate for the utter lack of entertainment, Muthaiya fills the film with pointless songs and physics-defying fights \u2014 there is nothing new or engrossing in that either.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nAugust 5, 2022<\/time><\/div>\n\nVictims review: Pa Ranjith stands out in this otherwise mediocre anthology<\/a><\/h4>\n\nPa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Pa Ranjith\u2019s Dhammam stands out, like a probing short story, wholesome in itself. Even as the interpretations of victimhood are somewhat fresh, the other films settle for the ordinary.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 29, 2022<\/time><\/div>\n\nGulu Gulu movie review: Rathna Kumar films ode to cruelty of life with kindness<\/a><\/h4>\n\n‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
‘Gulu Gulu’ is the journey of Google (Santhanam), an orphan\/refugee who can not resist helping people at even grave personal costs.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a>, <\/span>Selected Works<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 21, 2022<\/time><\/div>\n\nSai Pallavi’s Gargi sets the records straight 28 years after Revathy’s Priyanka<\/a><\/h4>\n\nGargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Gargi is Priyanka\u2019s do-over. Gargi bears in mind all the mistakes that Priyanka made and resists them.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nColumns<\/a>, <\/span>News9<\/a><\/div>\n\n\n<\/div>\n\n<\/li>\nJuly 16, 2022<\/time><\/div>\n\nIravin Nizhal review: Self-indulgent and boring mess that can’t be saved by innovative set design and transitions<\/a><\/h4>\n\nIn its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
In its 90-minute runtime, Iravin Nizhal takes up the colossal responsibility of telling its protagonist’s story from life to death.<\/p>
Continue reading ><\/a><\/p><\/div>\n\nNews9<\/a>, <\/span>Reviews<\/a><\/div>\n\n\n<\/div>\n\n<\/li><\/ul>\n\n\n<\/div>\n\n\n\n\n\nNext Page\u2192<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Hello hello! Thank you for taking an interest in my work. In this page, you’ll see everything I’ve ever written. That might be a handful, so tread carefully. \ud83d\ude42<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":19,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1649,"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/1649"}],"wp:attachment":[{"href":"https:\/\/tharkuri.in\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}